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Ok, just to say I tried, here's a video trying to explain what I do to balance a stabilizer like the Glidecam or Flycam. This is one video I never wanted to do, because there are so many good ones already on the web. If you can find the videos on how to balance a Glidecam, that's pretty much the same thing for the Flycam. There is one thing those other videos don't talk about, and you'll hear me stress this several several times in the video. This most worthy tip comes in after 5:20 when I talk about moving the sled slightly upwards to reduce that awful rocking motion while you walk. The biggest problem with people trying to balance stabilizers is that they believe they need to really load up on the bottom weight to get the camera to stand upright. That's not true at all. You'll notice I begin to dial things in when my stabilizer is slightly at an angle. Once the stabilizer is at an angle, DO NOT ADD MORE WEIGHTS! Start adjusting the top stage to center the camera. If you can't seem to balance the camera by moving it on the stage, remember that the bottom weights can also be shifted back and forth to get the camera to stick upright.

Ok, now that the camera is upright and you think you have it ready to fly, check to see if it starts swaying. If the stabilizer is swaying side to side (like a boat in the ocean), then move the sled just millimeters upwards. Try try again and do it by just millimeters at a time. For the Steadicam Merlin - you will need to adjust the 'arch'. If you own one, you'll know what i'm talking about. The Arch is similar to the Glidecam Sled. Lower it and you'll be making it more bottom heavy. Close the Arch and you'll make it 'less bottom heavy'. For the Steadicam Merlin and Steadicam JR, you can also 'unthread' the Gimbal Handle. This is a design that Steadicam uses to change the center balance ever so slightly by unscrewing the handle. Balancing stabilizers takes patience and practice. Of course a few prayers and a three wolf moon shirt might help you get there faster.

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Well, I knew the Asus WiCast wasn't very demanding in Voltage or Amperage. Grabbed a couple of electronic battery boxes that hold 4 AA batteries to add up to around 6volts, cut the wire off the power adapter, and i'm in business. I had a feeling it didn't need to be a perfect 5Volts and the 4 AA's that up to 6V probably can't sustain that voltage anyhow. How long is the run-time? Not sure yet, just testing things out, but very happy that i'm on my way to some DIY HD Streaming video action. The original article posted here: http://cheesycam.com/streaming-hd-video-ouput-wirelessly/

[Update Video]

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find-price-button ASUS WiCast Wireless HD Video Transmitter and Receiver

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Quick release adapter questions are always coming in, and I really have no answer except for the Manfrotto RC2, 357, or 577. They aren't cheap, but if you're already using a ton of Manfrotto products these adapters might work into your workflow.

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find-price-button Manfrotto 323 RC2 Rapid Connect Adapter with 200PL-14 Quick Release Plate - Replaces 3299 (Black)

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find-price-button Manfrotto 357 Rapid Connect Adapter with Sliding Mounting Plate 357PL - Replaces 3273

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find-price-button Manfrotto 577 Rapid Connect Adapter w/Sliding Mounting Plate (3433PL)

Ok, so I did some additional searching and found this new QR adapter. I actually ordered it a while back, but it took it's time getting here. I didn't wanna talk about it until I knew the real build quality. Oh how many items go unsaid on this blog, you have no idea. Now that it's in my hands, it's actually very nice, and i'm ready to share this one to you guys. It's a solid metal build all the way around with two bubble levels. The whole adapter is a fairly thin profile and comes with a snappy spring loaded release clip. Careful, when you lock the plate in place, that clip snaps back pretty quick. I caught my finger on it and it's pretty strong. It's a wide base, and I use it to cover the entire base of my battery grip. I find it feels like a more solid mount this way, but if you're not using a battery grip, you may want to use it the long direction to get to your battery compartment. It's a very nice and cheaper solution than those Manfrotto adapters, especially for all the stabilizers and other DIY projects you might be working on.

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find-price-button Cheap Quick Release Adapter + Quick Release Plate

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Ouch! Sorry guys guess i'm a bit late on this deal, but you got one more day. With a capable distance of 200mm (further on Cropped cameras), I highly suggest looking into lenses that have Image Stabilization built in. B&H has a huge price drop for the Sigma. Sigma is a great alternative and always cheaper than the OEM Canon lenses, and right now B&H has further discounted the Sigma 70-200mm f/2.8 Telephoto Zoom Lens an extra $350 dollars off it's list price. I checked over at Amazon and indeed B&H has the lowest price. This is Sigma's top of the line lens that includes DG, HSM, & OS features. No word on LOL, ASL, BRB, LMFAO, and OMG acronyms, but the deal expires tomorrow.

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find-price-button Sigma 70-200mm F/2.8 DG OS HSM

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I know I know. You're sick of hearing about the Nano and I said I wasn't going to show any sample footage of this uber cheap video stabilizer with the 7D + Tokina 11-16mm F/2.8. My first video was to show people that it does work with this weight, and I think I did accept a challenge. Every few minutes someone is saying it won't work because the weight would exceed what is listed on the product specs. Well after I shot the last video showing it was balanced, it worked so well, I had to do an example. In fact, I think some of you would be upset if you didn't see this next video. It handles superbly at this weight, and it can carry more. Believe me, i've played with many stabilizers. For something so cheap i'm surprised at the handling in this next video where I abuse the #$%^& out of it. I throw it around, spin it, whip it, whatever I could do to shake it around. Just to show there's no camera tricks, I threw a mirror in the studio. You can hear the wind pass the camera microphone as I toss the unit forward and back. Warning, it's quite dizzying footage but I wanted to show something more than just a casual walk. The demo stabilizer video was also shot in one take so there's no picking out just the 'nice footage'. This is a real look into how this thing flies with the Canon 7D + Tokina 11-16mm F/2.8.


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find-price-button Tokina 11-16mm Wide Angle Zoom

And since I know there will be additional questions about the Canon 5D Mark II, I balanced that too. The Tokina 11-16mm doesn't work on the full frame camera, so I threw on the Sigma 20mm F/1.8. This combination is actually lighter than the 7D + Tokina combo, so I needed to move the post higher up (making it less bottom heavy). The weights and all the configuration was still basically the same and I only needed to move the post upwards by about an inch.

And who ever threw me the challenge, let me know if this qualifies as a win? LOL. Check out the related article here: http://cheesycam.com/canon-7d-tokina-11-16mm-will-she-fly/

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The Flycam Nano video I posted recently with the Canon 60D + Sigma 20mm seems to have been a big hit. eBay seemed to have sold quite a few of them, and I wouldn't be surprised if they would be out of stock soon. It's happened a few times before. After posting my video with the Nano there were tons of questions about the Canon 7D + Tokina 11-16mm lens combo and if it would fly. The Tokina 11-16mm is an awesome lens for you who aren't familiar with it and it can maintain an aperture of F/2.8 throughout it's range - good for low light stuff. It's one of the top favorites for cropped cameras and wide angle flying stabilizers. (Note: Available for Nikon and Sony also, but won't work on Full Frame cams)


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find-price-button Tokina 11-16mm Wide Angle Zoom

I've worked with many different stabilizers and had no doubt that it could fly this weight with ease, but for many of you 'seeing is believing'. Actually I wished I tried this combination earlier as it seems to fly much better than the 60D + Sigma 20mm. The reason why it would fly better is because of the weight. One of the top stabilizer tips I always give out is that you should really load up your stabilizer. Sometimes I'll add weights to the top of the camera and then compensate with more weights at the bottom, just so that I can make it overall heavier. The bearing handles on these stabilizers are very strong, and my experience with stabilizers are that they just fly so much smoother when the bearings are loaded up (especially on windy days). So here it is, and I've included in the video my secret recipe of weights and position for this combination, and also the secret power hidden in the Three Wolf and a Moon shirt (gag gift).

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find-price-button Flycam Nano DSLR Video Camera Stabilizer

If you're not familiar with the shirt, the history is that someone posted a funny 'review' and then thousands of others followed with their own 'gag review'. It became so viral, you'll now see this available on XBOX controllers, iPhone skins, Laptop cases, and has even been featured in Television Shows like 'The Office'. This is also another great inexpensive 'Gag Gift' to consider this holiday season for your co-workers and close friends. You have to check out some of the Customer Reviews on Amazon.com and also the uploaded 'Customer Images' found here: The Mountain Three Wolf Moon Short Sleeve Tee Hilarious!!

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Three Wolf Moon Shirt Gag Gift on Amazon

[Update] OK I lied. It worked so well, I decided to shoot a sample video found here: http://cheesycam.com/flycam-nano-stabilizer-abused-with-7d-tokina/

Other Related Articles: http://cheesycam.com/flycam-nano-dslr-video-camera-stabilizer/

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When I posted the article about Fancier's new product line of DSLR support rigs and related accessories, it grabbed quite a bit of attention. Supposedly these rigs were also shown in Photokina earlier this year, so they are really pushing these products. In pictures it looks like it's got all the right stuff. They've come up with several modular pieces in their designs from entry level to heavily accessorized full shoulder rigs. The Fancier Rod Rig systems looks to meet industry standard measurements with 15mm rods and proper spacing to accept various other accessories.

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This rig is designed with two main modular parts. First part is the DSLR cage type frame that can hold a few accessories and a follow focus. The cage can be released from the shoulder support for you to get hand-held shots and then quickly get the entire cage mounted back again. On this rig is Fancier's own friction follow focus system and Matte box. The follow focus has a smooth marking disc area, a very nice knurled black anodized knob that can support a whip. The follow focus is actually made quite nice, but the mounting and adjustment bracket is a terrible design. The matte box comes with large metal french flags and a standard sized plastic filter holder. The body of the Matte box is made of some type of molded plastic which is strong and light weight. There is very little adjustments to the matte box which makes it difficult to match up a combination of cameras or lenses for a decent fit.

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The DSLR cage (thing) has a solid base plate, but the follow focus is raised to where it hits the bottom of the lens. Even my cameras with the battery pack on were too big to fit into this cage. There is also no vertical adjustments for the follow focus - only horizontal. Without the vertical adjustments there was no way I could mount any of my cameras with any combination of lenses to their system. This is how the rig was shipped, so it's possible 'they' even messed up on putting it together. Looking at the follow focus plate, it's still possible to flip it upside down and move the horizontal adjustment under the lens giving me a few millimeters of clearance, but the threaded knob would still dig into my lens. Not to mention they weak two screw mounts they use for the bracket wouldn't hold up well either. Basically worthless, but don't worry this rig isn't mine. I didn't pay for this rig, but sure am glad I got an early peek at it, and to share some of this information with all you guys. Perhaps saving many of you the time and money.

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The rear shoulder pad for the rig was very comfortable and balanced the rig well with the counter weights. Once the rig was on my shoulder, I head quite a bit of squeaking and thought my clamps were loose. It turns out the shoulder pad was really just shifting around, and it's a flaw in their design. Too bad, because I really liked the shoulder pad and counter weight mount. It's much more comfortable that other rigs i've been playing with.

There it is folks. I really hope this information is helpful to anyone reading this. I'm quite pressed for time this week, and almost passed up the chance to review this one entirely. I didn't see any more information about this rig elsewhere, and wanted to get something online before anyone starts throwing money around on these rigs. This might be the first review anyone's posted about the Fancier DSLR rigs, and i'm really sorry to find so many things that just don't work. I still think they make decent budget tripods, LOL. If you have any questions, feel free to drop them in the comments.

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Here's a couple of differences Letus has come up with since first introducing their Hawk VF DSLR View finder. The earliest model came in a Carbon Fiber body with a hard mounted camera belly plate. The original Hawk VF was also designed for the normal 3" LCD found on the Canon 5D Mark II, 7D, and for other cameras with a similar sized LCD. The new Hawk VF lineup now comes in both Carbon Fiber and a black Aluminum body (I like the black Aluminum), has added more products to meet the correct size of the Canon T2i 3/2 LCD size (or even Canon 60D). The new lineup of Hawk VF's also come with a Quick Release belly plate to make using your camera in both video mode and photography mode quite easy by removing the Hawk VF. If you're rocking the battery pack on a Canon 5DM2 or 7D, there's an optional adapter for that too. I don't think these LCD's were ever marketed towards Canon 60D owners, but I found it perfect for mine. With the Canon 60D's swivel screen, you can see why i'm using this setup instead of sticky metal frames normally used with other view finders. I'm still able to flip the LCD backwards into the camera to protect the glass. I like the hard mount that keeps it from falling off, and the quick release option should I need to swing out the LCD or use the camera's eyepiece for Photography.

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Aluminum Letus Hawk VF

The Hawk VF's plate has a flush mounting screw to hold onto the camera, and still allow threads for to mount your tripods quick release plate (should you need one). This same plate is also designed to work with the ever growing accessories from Letus like the Rod system, and DSLR cages. The Letus design also allows you to migrate from one body to the next simply by removing the glass eyepiece, should you decide to use it on a different camera with a different size LCD, or if you want to change out the 'finish' of the VF from Carbon Fiber to the Aluminum version. It's a fine crafted piece of equipment that won't ever see landfill that's for sure. This materials used on the VF make this a solid product to take any type of abuse you can throw at it and should last you for years. You can check out more about Letus and the DSLR accessories over at https://LetusDSLR.com or even hit them up at their Twitter @letusdirect.

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If you missed the announcement, RadioPopper is holding a 'video' contest. RadioPopper makes some super fast wireless flash triggers, and some that maintain communication between the camera & flash without line of sight requirements. With that communication they are one of the rare triggers to support High Speed Sync wirelessly. Don't worry, the contest is not a difficult one where you need to show off award winning Photography skills. Just 30 seconds of showing or explaining your best photography lighting tips. They mention you can do this right from your basic webcam if needed. Since I have several RadioPopper PX's myself, I think i'll have to join in on this one. You can find more information at the link: https://www.radiopopper.com/contest