Tag Archives: Juicedlink Preamp

Setup a Rode NTG-3 Shotgun Mic overhead on an Impact C-Stand with Boom Pole Adapter. Lighting used mainly the new FloLight BladeLights. Sony FS7 and Sony A7sII. Rokinon Cine DS Lenses and Juicedlink Low Noise Preamps.


Robert from JuicedLink gives us an NAB preview of the latest BMC366 Low Noise XLR Preamp designed to tackle audio issues with the BlackMagic Design Cinema Camera. Robert has also been aware of the many comments and questions regarding Tascam's latest DR-60D product announcement and shares some of his thoughts.

If you're not familiar with best practices when working with Audio on the BlackMagic Design Cinema Camera, or to find out more specs on the BMC366, you can find that information at the JuicedLink blog: https://www.juicedlink.com/blackmagic-cinema-camera.

BMC366 Low-Noise Preamp for BlackMagic Design Cinema Camera


Maybe this just adds a bit more confusion or maybe it makes it easier on the wallet, but JuicedLink has added 4 additional preamps to it's lineup. The new models vary with number of XLR inputs, with or without Phantom Power, and some with or without Assist features like Headphone monitoring or visible audio meters. Some cameras already have Headphone monitoring and Audio Meters available like the new Nikon D600, so you'll just be looking to get a smaller less expensive JL Preamp. Check them out at the Juicedlink website (Click Here).

JuicedLink PreAmp Models
JuicedLink RM333, RM222, RM202, RA333, RA222, RA202 Preamps


Robert from Juicedlink just uploaded a video showing some of the Canon 5D Mark III audio features along with the Nikon D800 audio features. Towards the second half, he introduces a new Juicedlink RM333 low noise pre-amp. We've run a few audio tests running a microphone into the Canon 5DM3 and there's no doubt using an external preamp will still yield better results. The internal amps of the Canon DSLR aren't very good.

RM333 Low Noise Preamp Juicedlink JuicedLink RM333

The new Juicedlink RM333 preamp looks like a good small solution, and it was pretty smart to add in the backup audio that had been attenuated (reduced volume). There's times when your subject gets a bit excited and starts talking a little louder than expected, so a lower recording can save you from clipping. When the RM333 becomes available, you'll be able to find it over at Juicedlink's Website (click here).