Photography Gadgets

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Yeah i'm here at the airport waiting for a flight, so why not cover a little blogging while i'm here? I received the GGS View Finder from this eBay seller just last night, and I have to say i'm pretty impressed. Well of course I didn't give it a second look when it was being offered for over $120 dollars, but now at it's current price, it's a sweet little loupe.

There is a diopter for those with less than perfect vision, the flip up part (which I thought was gimmicky) is actually very functional. No need to remove the view finder, and it still provides excellent shade from external light. The frame sticks to the LCD much like the other frames, but actually locks the View Finder in place with no Magnets. In order to remove it, you push a little release tab. So it doesn't fall off as easily.

The Frame is also an LCD protector, so theres a coating of glass with the frame. If you're curious the Blue Star cushion that fits the other view finder, also works perfectly on the eye cup which makes it even more comfortable.



find-price-button GGS 3X DSLR LCD ViewFinder

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Screen shot 2011-04-09 at 2.56.15 AM

Most DSLR video guys would never notice this problem, but for photographers, it's something that happens pretty often. If you've been doing long exposures or dark images and have been seeing some stray / hot / or dead pixels, here's a tip to try before sending the camera in. This has been implemented in DSLR cameras for a very very long time and is a way to remap these pixels (hide the bad ones). Is this some type of hack job? Actually, no. Many cameras will do this automatically on start up or shut down, and it's almost impossible for any chip with millions of pixels to be 100% perfect. Here's how you do it.

First remove any lens on the camera and place the body cap. You can actually do this with a lens, but you're more prone to 'light leaks'. Place the DSLR Body cap on and for safe measure, you might want to cover it again with a dark cloth, tshirt, or dark blanket. You basically want to keep any light from leaking into the camera while performing the cleaning.

Go to the Menu > Select Sensor Cleaning > Manual Clean.

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The Mirror flips open, the camera basically should expect every pixel to be completely black, but if it's finding some white or red ones, it should remap them. After about 30 seconds, turn the power off on the camera. Now go out and test out your long exposures or dark imaging to see if those same hot pixels still show up.

Here's another tip. If you plan on buying or selling a DSLR, you can also perform a test against your sensor to see these stray or hot pixels. You can leave a lens on the camera, but just cover it up completely to prevent light leaks or sit in a very very dark room. Set the lens to 'Manual Focus', set ISO to the lowest like 100, shutter speed to say 1/60th, and aperture doesn't really matter. We're not doing long exposure here, because we don't want to confuse a Dead pixel with ISO noise. Next, take a picture. The picture should come out 'mostly' black, but this test will show some stray red or white hot pixels (unless it's already been remapped which is OK). If you're shopping for that camera, and you can't seem to get rid of those stray pixels, consider if they are so bad they would render your work useless. Again, since HD video doesn't actually use all the pixels by the time it's resized down, Video shooters may not notice something like this as easily.

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So the elusive Kreis90 LED Ring light finally surfaces. I first blogged about it in this article http://cheesycam.com/dslr-led-ring-lights/ but have never seen it outside of that video. Don't get too excited, it's probably nothing special. I don't know a single person who uses this, nor have I ever seen a video of this in use by anyone (except for the manufacturer video). The Kreis website pretty much sucks and just trying to find prices is a pain.

For an LED Ring light, it seemed easier to just buy the 352 LED Ring light that i've been using found here http://cheesycam.com/last-minute-glidecam-mods/. I guess one benefit would be that it's just smaller, lighter, and cheaper. It can be battery powered, and yes dimmable, but only to about 50%. Effective? Who's to say. If anyone cares that it really does exist, there's more information on the auction page.


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find-price-button Kreis90 LED Dimmable Ring Light

4 Comments

The Panasonic GH2 and Sony NEX-5 have a 16:9 LCD aspect ratio, while other cameras are 3" or 3.2". If you've been shopping for an LCD loupe to fit the GH2 or NEX-5, there really wasn't much in the 16:9 aspect pool (except for one that ran over $120 dollars). Here's a new loupe that claims it has been designed to fit those exact 16:9 aspects providing shade out in the bright sun to check exposure, or used to magnify your LCD to help you get focus. No sticky frames, no diopter, no base plates, just mounts with simple bands. Pricing is about average for a DSLR LCD loupe.


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find-price-button 16:9 LCD Loupe DSLR Viewfinder for GH2 Sony NEX

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Zeiss SLR Lens Set with Waterproof Case

Attractive offer for filmmakers and photographers

The five Carl Zeiss SLR-lenses come in a special waterproof and robust case. Special inlays ensures that each lens fits perfectly inside the suitcase and protects the lenses from shock and vibration. The SLR Lens Set is IP67 waterproofed.

Zeiss makes special lenses dedicated to Video, and even though this isn't their Cinema Compact Prime lenses, there are still many shooters who use these particular lenses for video. Usually bundles like this will shave a bit off from buying them individually. This set comes with a nice fancy case, but adding them up doesn't seem like a 'killer deal', but puts a little back in your pocket. Will be available in May, price will be around $6k for the set, and will include the following. (I've linked the lenses so you can see what they run individually). Now if only Canon could hook us up with a discounted set of L Glass...

Distagon T* 2,8/21 ZE (Canon EF-Mount)
Distagon T* 2/28 ZE (Canon EF-Mount)
Distagon T* 2/35 ZE (Canon EF-Mount)
Planar T* 1,4/50 ZE (Canon EF-Mount)
Planar T* 1,4/85 ZE (Canon EF-Mount)

Not just moments ago, I posted an article about Lensbaby's new Sweet 35 lens for their Optic Swap system. If you're looking for a cheaper way to get into some make-shift tilt-shift photography, here's that popular DIY Tilt Shift Photography Tutorial from Make Magazine. On Flickr it's also coined as the 'plunger cam'. Nothing like real $2000 dollar TS lenses, but you'd be surprised at some of the images that have been snapped using this technique. If you don't want to use a cheap plunger, more professional versions of this has been made with Volkswagen CV Joint Axle Boots.

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find-price-button Transmission CV Joint Axle Boots

Obviously you'll lose all camera to lens communication, so this DIY is best used with Manual focus and manual aperture lenses. Since it's just a floating lens on a rubber bellows it's not so important which camera mount you choose. You can find a bunch of old manual lenses under $10 dollars to start to having fun with this project over on eBay.

Manual Focus Manual Aperture Lens
find-price-button Manual Focus Manual Aperture Lenses

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The video above shows off a brief overview of LensBaby's interchangeable optics system such as their 'Composer' and 'Tilt Transformer'. The LensBaby optic swap system allows you to switch to different lenses with slightly different tilt-shift like effects from pinhole, zoneplate, dreamy, soft focus, vintage, fisheye, and more. Although it produced fun and creativity, I personally was not a fan of having to swap out Aperture discs. They do offer adapters that will allow you to mount manual Nikon lenses but only for MFT (Micro Four Thirds) systems and Sony NEX cameras. Well, I have to admit they've come a long way from where they originally started years ago and have just recently introduced a new 35mm Optic Lens with 12 blade adjustable Aperture and will work with Canon EF mounts. Now we're talking!

The new 'Sweet 35' optic is definitely something i'd rock just to get out and get creative. Besides the smooth bokeh you'll get from a 12 blade aperture, it has a minimum focusing distance of just over 3" inches. From F/2.5 - F/22 dialed in on the optic you can get select focus or most in focus, along with that trademark Lensbaby blur. On Full Frame Cameras, there could be a slight vignetting, but that just adds more to the popular artistic throw back look people are going for. More about Lensbaby's Optic Swap system can be found here: https://lensbaby.com/optics.php

The new Lensbaby Sweet 35 optic available for pre-order here (don't forget you'll also need the additional adapter).

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find-price-button Lensbaby Sweet 35 Selective Focus Optic w/ 12 Blade Aperture

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Sucks posting this article, especially since the unit is not available for the same price (right now). I posted something about this new light hitting the market a few days ago, and of course it sold out fast. It was the first time a BI-Color Adjustable LED light was available for the price. Hopefully they'll get them back on the market ASAP, because this light makes balancing fill light color so easy. Don't worry i'm on top of this so if I find out updates, i'll get it on this blog for ya'. If you want to check out the original post for these light you can find it HERE.

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Sony battery Compatible + Panasonic w Adapter

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Drop in Diffuser (Magenta not Shown)

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Color Temperature Adjustment Dial

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Brightness Dimmer

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Battery Meter

For now, here's a few inexpensive other options for Bi-Color, Color Changing, Color Adjustable LED Video Lights (below).

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find-price-button 240 LED Video light (same as what i've received - rebranded / marked up)

312 LED Video Light
find-price-button 312 LED Color Changing Dimmable Video Light

[Update Update] Now Back Available Here:
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find-price-button 240 Dimmable Color Changing LED Video Light with Barndoors

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find-price-button 240 Dimmable Color Changing LED Video Light without Barndoors

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Tripods, long Light Stands, or even Cranes / Jibs that break down into 4 ft. sections, there's always a need for a good travel bag. One good tip comes in talking about inexpensive Nylon Speaker Stand bags. Professional Speaker Stands are like massive light stands, and you'll often find these stands being used for DIY Cranes / Jibs since they support a good amount of weight. Some of these speaker stand travel bags come padded and at about 40" in length for under $25 bucks. Good deal for a solid travel bag to carry odd length gear. In fact, if you take the time to create sections it should fit most of the Glidecam stabilizers as well. I'm stoked to buy more...

Light-Stand-Bag
Heavy Duty Speaker Stand Padded Nylon Bags