Two new items came in today. One you can see has a crap load of stamps, so you know that's an overseas item. It's a neat thing that i'll show later on. The other brown box might look familiar to many of you, for anyone that's placed an order from bhphotovideo.com and guess what's peeking out....reviews to follow soon.
Relative size next to iPhone 4
Monday's mail bag contains my two Sima L Brackets referencing this article I posted not long ago http://cheesycam.com/double-l-bracket-configuration-alzo-t-pod/. I went with the Sima as it was cheaper than the Alzo L Bracket. It feels real solid and has the dual shoe mount. I'll have more information on what I plan on doing with these when I get my aluminum flat bar cut out.
Here's an image of the Canon T2i with Sima L Bracket next to my Zoom H1 Portable Audio recorder.
Sima Video Bracket with Handle + 2 Accessory Mounts
Next up, received the package from bhphotovideo.com . No it's not my Zoom H1 Portable Digital Audio Recorder, that's coming in the mail tomorrow. This box contains some very special lenses. I recently shot at the Craigslist Foundation Boot camp, and was requested to shoot the conference event speeches with DSLR's. Normally I would have opted for a Sony EX1, or Panasonic HVX for longer running video clips, but we were able to shoot with the Canon 5D Mark II using multiple camera angles and overlapped recording. The only problem we ran into was the range of the lenses. Shooting off to the side and wanting the closest possible headshot, my Canon 70-200mm F/2.8 on the full frame just didn't cut it. With the Canon 2x Teleconverter on, we got closer, but the aperture minimum now up F/5.6 (the converter does this) plus the dim lit theater combination had us up to ISO 1600 at the least.
So after every shoot I think about what lenses could make this so much easier and provide better quality, still keeping in mind it has to be at an affordable price. Having a telephoto lens is important for this type of coverage, so prime lenses would be out of the question. I needed to zoom in and zoom out for wider shots as they traveled the stage. For low light, I needed something that had at least a comparable aperture of F/5.6. So I narrowed down cost + functionality to two lenses. The Canon 100-400mm F/4.5-5.6L with IS & the new Sigma 50-500mm F/4.5-6.3 with optical stabilization. Yes the Sigma stops down to 6.3 at the longest 500mm, but as a comparison i'll see if I can get 5.6 at 400mm with the Sigma. Both priced roughly around $1600 US Dollars i'll have the lens vs. lens comparison up this week......
Canon Zoom Telephoto EF 100-400mm f/4.5-5.6L IS (Image Stabilizer) USM Autofocus Lens
There's quite a few sources talking about the huge information leak on Sony's new Alpha DSLR's named the 'A580' and the 'A560', but so far the most important feature is finally recording in 1080. I'm sure there's a few more tricks up Sony's sleeve, but unless it's doing RAW video, fixed rolling shutter, or found a way to do super slo-motion in 1080, we've seen it all. I'm not sure if they'll have special features to convert die hard Canon or Nikon fans, but if the price is right maybe they can find a way to at least get in the HD DSLR video game. I have no information on pricing and availability yet, but i'm still digging for more information. Engadgets got a bit of read too: https://www.engadget.com/2010/08/20/sonys-alpha-a580-and-a560-leak-out-with-1080i-video-recording-m/
Lightcraft workshop, probably best known recently for it's Fader ND Variable Neutral Density Filters, but also produces high quality optics for other types of filters is entering the Loupe Game. The new 'BiGeye' LCD Viewfinder for DSLR's is coming in under $140 for the complete setup. Yes, it's weird but they are selling parts of the loupe individually possibly if you happen to damage it, you can cheaply replace small pieces. Cheaper than the Original LCDVF viewfinder, but offering a 'diopter' I think it's priced very nicely. It's not the most beautiful design and I'm not a fan of the name nor the product images they display in their store, but I'm sure they've got the whole optics thing down and that's really what counts. Thanks to Paul Kondo for this tip, you can find the new LCW BiGeye LCD Viewfinder at this link.
I tend to share alot of information on this blog, but there are still many things I keep under wraps. One of the new ideas i've been mapping out with PhotographyandCinema.com is close to final design and should make things quite interesting. It will be an extremely versatile tool for budget film makers, and making traveling abroad much easier. This all came about from my own personal experiences packing and traveling into an entirely new product design. It's not as easy to DIY so this is another product that will retail at PhotographyandCinema.com. As usual tons of thought went into the design to keep things as cheap as possible for the budget film community. I have a feeling, you're all going to enjoy this next one...
California/Arizona Time Lapse from Dan Eckert on Vimeo.
Dan Eckert sent me a message about being able to find some cheaper LED's through the Cheesycam website that he was able to use in one of his recent Timelapse videos. Apparently Dan used the popular 126 LED lights and modified them to tripod use. I took a look at the timelapse video Dan Eckert put together, and was just blown away. Shot with a Canon 5D Mark II, this timelapse video showcases some of the most amazing footage i've seen. It's not so much about catching moving clouds that we've all seen before, but more about finding appreciation for the hard work and endurance that is involved with capturing this kind of footage day after day, most of which in the desert heat. This is some amazing stuff, you've all got to see. Shot completely with still images, yet the video seems extremely fluid, and no signs of flickering. Lots of camera movement makes this a truly amazing piece. Involved in this video is a custom dolly built for train tracks, panning shots, sliding shots, and techniques with image shutter speed. It's too bad there isn't a BTS video on his road trip, as i'm sure many of us would love to see the journey involved in creating something a piece like this. Great work Dan, looking forward to seeing more! My offer to carry some gear still stands!
A bit of BTS with Dan's DIY train rail dolly. Very cool, looks pretty smooth.
Was just reading an article from Timothy Allen explaining some TimeLapse tips and techniques. At the end of the article you'll catch this video (above) of a behind the scenes documentary on some insane TimeLapse planning and rigs. Switch to HD for best quality. I love how they built their own Ladder dolly, used a bike wheel and some string as their motion controller. True innovation happening here and definitely masters of their craft. Here's the link to the Article: https://timothyallen.blogs.bbcearth.com/2009/02/24/time-lapse-photography/
The studio is still being built out, but I got a request to do a an interview in the place tomorrow. Since it will be 1-2 people in the shot, I thought i'd just pick up a simple, cheap, but effective 3 piece lighting set. Just got these in today at the studio, so I unboxed and set them up. The 3 piece set I received, comes with 3 lights, 2 medium sized softboxes, one has a barn door attachment, all three light stands, three bulbs, and each one dimmable, and large bag to keep them all together. The barn door light will be used overhead and behind the subject(s) for some edge / rim lighting, softbox lighting on each side, and since they are all dimmable i'll try to use one as main fill. Each head I think rated at 800w halogen. I still don't have my gels in the studio and these bulbs are quite warm, but since I have total control over the lighting in the studio, perhaps I can get away with just white balancing.
To sorta mask the background and keep things looking nice, i'll be shooting with long lenses with a shallow depth of field. These lights should be plenty for my ideal tight shots on each person (multi camera angles). I totally wasn't ready for this project to be done in this space, but it's good practice to see what i'll need for future projects. I'll post some videos of how that lighting comes out next week. Total spent $299 + Free Shipping. Here's the link to the 2400W 3 pc Light SOFTBOX BARNDOOR PHOTO VIDEO LIGHTING KIT
3pc 800w (each) Dimmable Light Kit w/ softboxes
If the above link is not available, you can find other sellers (below) but not all come with the Softboxes
800w 3pc Dimmable Lighting Kit
So first thing in the larger bag is my YongNuo Wireless Trigger / Remote set. I talked about them in this article: http://cheesycam.com/never-ending-upgrades-wireless-shutter-flash-remotes/. As you know i've been building up a studio and these versatile triggers can wear many different hats around the equipment i'm using. First off, I can now use my Canon 580 EX II's through the hotshoe these remotes provide, or trigger my studio strobes through a PC sync cord these offer, and if I really needed to, trigger my camera shutter. OK that's a bit overkill to remotely trigger my camera in studio, but I really was just looking to replace some old Pocket Wizards since these will allow me to expand to more triggers at very minimal cost. For times when I don't want to travel with my ST-E2 or Radio Popper PX's, these will work great. I'll do some closeup detailed photos possibly tonight or this weekend and explain why I currently use so many different trigger sets.
Yongnuo RF-602 Wireless Triggers for Studio, Speedlight, and Camera
